So now he wonders: APS-C vs Full Frame depth of field. His struggle is between Sony full frame and Fujifilm APS-C. Surely, he says this is a subjective question, and the super-blur background is sometimes a cool effect.īut most of the time he needs context to emphasize the space between the subject and the background and hence make the subject pop out more from the environment.īooray Perry (full-time wedding photographer) is in the process of switching from full frame DSLR to mirrorless. He says that stopped down at f/1.2 or f/1.4, images often lose the 3D effect and come out pretty flat, and he prefers to stop down a little bit, to allow the context (or background) to come out a bit more, giving him a more three-dimensional quality. He shows samples taken with various lenses, including Fujifilm’s currently fastest lens, the Fujinon XF56mm f/1.2. KentuckyMan30 is a Fujifilm X shooter, and he wonders: how much shallow depth of field do you need? But of course he says it in a much funnier way, that it’s impossible to sum up here, so enjoy the video.
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